Originally posted by Pikminister
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Underworld: Awakening. I must say, I enjoyed it more than Revolution and Rise of Lycans.
Spoiler:
I was completely oblivious to the fact that Scott Speedman didn't reprise his role as Michael. They hired a look alike. No wonder the ending was 'eh.'
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Well, the Thing prequel proves that once again CGI is inferior to animatronics in almost every way. Finished watching it just now. There were a few parts that made me smile, namely the ending sequence where you see the two Norweigans from the beginning of the original. As for the origin of the "Splitface" thing, that was retarded and made no sense. Why would it do that? Why it want to do that?
Which leads me to my next point, the Thing itself seemed to rely less on disguise and more on open aggression. As a consequence, the element of paranoia that made the original so endearing is completely lost. Sure, there were scenes of mistrust but they didn't last long enough and the suspense was soon broken by needless bouts of CGI gore.See you in hell.
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Originally posted by Mr. Spencer View PostWell, the Thing prequel proves that once again CGI is inferior to animatronics in almost every way. Finished watching it just now. There were a few parts that made me smile, namely the ending sequence where you see the two Norweigans from the beginning of the original. As for the origin of the "Splitface" thing, that was retarded and made no sense. Why would it do that? Why it want to do that?
Which leads me to my next point, the Thing itself seemed to rely less on disguise and more on open aggression. As a consequence, the element of paranoia that made the original so endearing is completely lost. Sure, there were scenes of mistrust but they didn't last long enough and the suspense was soon broken by needless bouts of CGI gore.
The main element that made the original so endearing though, was the cast of characters. Every single one of them was portrayed as having unique personalities. So you actually worried about them getting killed. There was none of that in the prequel. Except for the female lead, you didn't give a fuck about anyone else. Especially when they were being killed/assimilated by incredibly fake cgi monsters.
Its a shame because reading articles with interviews done with the ppl behind the prequel, they were like trying to do the right thing. But I guess they just weren't right for the project.
Why didn't Universal give this one to Guillermo del Toro? (to direct not produce).... he prob would've used practical effects. With very little cgi.Last edited by Pikminister; 02-25-2012, 04:12 PM.Stuff to remember: Avoid forums if you're having a bad day.
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Originally posted by Pikminister View PostI posted my impressions of that film somewhere here... but I agree.
The main element that made the original so endearing though, was the cast of characters. Every single one of them was portrayed as having unique personalities. So you actually worried about them getting killed. There was none of that in the prequel. Except for the female lead, you didn't give a fuck about anyone else. Especially when they were being killed/assimilated by incredibly fake cgi monsters.
Its a shame because reading articles with interviews done with the ppl behind the prequel, they were like trying to do the right thing. But I guess they just weren't right for the project.
Why didn't Universal give this one to Guillermo del Toro? (to direct not produce).... he prob would've used practical effects. With very little cgi.
Would have made more sense for it to have been caused by a thing being caught mid-way through assimilating someone, then killed and thus 'Splitface'.See you in hell.
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Originally posted by Mr. Spencer View PostSee, Splitface made no sense. Based on what we know about the thing's behavioural patterns, there's no reason whatsoever for it to do that. Would be far more efficient to break a piece off and assimilate a target with that, as it did with that bloke who looks like Barry Burton. It was bizarre, seeing this thing casually wander up and snuggle with the guy. There was a warped romantic feel about that scene, like it was being intimate. Completely unnecessary. No sense whatsoever.
Would have made more sense for it to have been caused by a thing being caught mid-way through assimilating someone, then killed and thus 'Splitface'.
Again, Universal should've handed the project to someone better.Last edited by Pikminister; 02-25-2012, 06:52 PM.Stuff to remember: Avoid forums if you're having a bad day.
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I was invited to see THG this weekend... not sure. Never read the books. Nor did I had any issues with the race of the protagonists, like this bigot here:
BTW, the book describes the Rue character this way:
"Most hauntingly, a twelve year old girl from District 11. She has dark brown skin and eyes, but other than that she’s very like Prim in size and demeanor." - Page 45Last edited by Pikminister; 03-28-2012, 02:54 AM.Stuff to remember: Avoid forums if you're having a bad day.
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'OMG why make rue blak purson!!! U hav ruined teh movies!!!'
...Because the character is described, several times, as being black?
My favourite is the idiot who says that a scene looses it's impact because of the girls skin colour.
Haven't seen the movies or read the books, yet, but I probably will. Has the potential to still be around when my kids are old enough to join in the latest silly craze. I haven't heard any Twilight level dumb from this (just racist people screaming, and I like that sound) so it might be OK.
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Originally posted by BBboy20 View Post30 Minutes or Less.
Last film I saw was 'The Castle Of Cagliostro', I always cry at the end of that film. It's just so well done, even if its still a silly anime flick.Last edited by Wrathborne; 03-29-2012, 12:39 AM.
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